| This material is geared primarily towards folks who are | | | | Chutney soca is a blend of East Indian chutney music |
| new to this genre of music called soca. As an artist | | | | and soca. Chutney Soca is an up-tempo, rhythmic type |
| who has been recording soca songs for the last eight | | | | of song, accompanied by traditional Indian musical |
| years, and who has won Caribbean wide soca | | | | instruments such as the dholak, tassa, the harmonium |
| competitions, I shall humbly attempt to present a | | | | and the dhantal. |
| comprehensive introduction to soca music. | | | | The line between different kinds of soca music is |
| Soca music originated in the Caribbean island of | | | | becoming less and less clearly defined. It can |
| Trinidad and Tobago. It is widely accepted to have | | | | sometimes be very difficult and controversial to |
| been created by Lord Shorty (born Garfield Blackman). | | | | pin-point what is groovy, power, or ragga soca. There |
| He noticed that Calypso music was threatened by the | | | | is so much fusion taking place that it is often difficult to |
| more popular reggae music and dying out and | | | | tell whether a song is really a soca song. For instance |
| attempted to create a new hybrid that was more | | | | some have argued that Alison Hinds' hit song, "Roll It |
| appealing to the masses. He fused Indian music with | | | | Gal" is not really a soca song but an R&B song |
| calypso music and this resulted in a more energetic | | | | with a West Indian influence. While I do not hold that |
| hybrid called solka, which later became known as | | | | view, it goes to show that there are no clear |
| soca. Lord Shorty introduced soca to the world in 1973 | | | | distinctions and definitions. Soca music, like other forms |
| with his hit song, Indrani. | | | | of music is an art and cannot be restricted to a |
| Naturally, soca music of the seventies is very different | | | | specific or exclusive mold. |
| to what exists today. Today, there are two main | | | | Soca music is largely competitive. Every year artists |
| types, namely Power Soca and Groovy Soca. What is | | | | try to outdo each other at carnival competitions such |
| the major difference between the two? | | | | as Soca Monarch and Road March. At a soca |
| Power soca music is very fast, with tempos of around | | | | monarch competition artists perform before large |
| 160 beats per minute. The music is largely instructional | | | | audiences and are ranked by a panel of judges. A |
| in nature. Soca artists thrive on motivating audiences to | | | | road march song is the song which is played the most |
| respond to their dancing instructions. Power soca | | | | during a carnival street parade. Each Caribbean island |
| music is largely music to jump, wave and "wine" to. | | | | holds its own competitions. Prizes can amount to |
| ("Wine" is derived from the word "wind" and is a type | | | | hundreds of thousands of dollars for each winner, |
| of dance that consists of hip movements). Crowd | | | | particularly in Trinidad and Tobago. |
| reaction is key. | | | | Some of the biggest soca artists in the industry have |
| Trinidadian soca artist, Superblue has been credited | | | | bowed out of competition. These include big names |
| with starting the "jump and wave" craze. His success | | | | such as Machel Montano, Bunji Garlin and KMC. The |
| with this style of soca was so incredible that since | | | | commonly held view is that "music is a mission, not a |
| then most soca songs are written with crowd | | | | competition". Personally, I have found such competitions |
| response in mind. | | | | to be a very negative force, causing undesirable |
| Today, the challenge for power soca songwriters is to | | | | friction between artists. As an artist, I have had my |
| write songs that can move audiences but not be a | | | | own battles. However, winning is so much fun that it |
| regurgitation of the jump and wave theme. This is not | | | | can be hard to quit. The fans can be relentless in |
| the easiest of tasks because of the very nature of | | | | urging an artist to compete against their own will. The |
| the festival that soca music is centered around. Soca | | | | way these competitions are set up, it is easy to go |
| music is largely carnival music. Since carnival is all | | | | unnoticed if one is not taking part, except if you are |
| about jumping and waving, the music that drives it | | | | already strongly established in the market. |
| must be able to engender such activity. Increasingly, | | | | Popular soca performers include Machel Montano, |
| artists are succeeding at writing songs which are not | | | | Destra, Alison Hinds, Atlantik, KMC, Shurwayne |
| necessarily based on "jump and wave" or waving rags | | | | Winchester, Denise Belfon, Bomani, Bunji Garlin, Iwer |
| and flags. In an attempt to stay clear of monotony, | | | | George, Bomani, Kevin Lyttle, Tizzy, Maximus Dan, Mr |
| themes like love, peace and togetherness have been | | | | Killa, Mantius, Fireman Hooper, Jamesy P, Tallpree, |
| very common. | | | | Claudette Peters, Burning Flames, Nicole David, Ricky |
| Groovy soca music is arguably, a better means of | | | | T, Qpid and Krosfyah. |
| propelling soca music forward internationally. It is much | | | | Some of soca's biggest worldwide hits include "Turn |
| slower, around 115 beats per minute. This newer kind | | | | Me On" by Kevin Lyttle, "Tempted to Touch" by |
| of soca allows for a wider range of topics to be | | | | Rupee, "Who Let the Dogs Out" by Baha Men |
| addressed. Unlike the total frenzy that power soca | | | | (originally sang by Anslem Douglas), "Sweet Soca |
| gives rise to, groovy soca is music to sway and dance | | | | Music" by Sugar Daddy, "Nookie" by Jamesy P, "Hot |
| slowly to. Artists like Kevin Lyttle and Rupee have | | | | Hot Hot" by Buster Poindexter (originally sang by |
| demonstrated that this type of music is very palatable | | | | Arrow), and "Follow the leader" by Soca Boys |
| to mainstream music markets, with international hits like | | | | (originally sang by Nigel and Marvin Lewis). |
| "Turn Me On" and "Tempted To Touch" respectively. | | | | Instrumentation |
| Another artist who has gain international recognition | | | | Brass instruments such as trumpets and trombones |
| with groovy/crossover soca is Barbadian based artist, | | | | have been very typical of soca music. Sometimes, the |
| Alison Hinds. | | | | saxophone forms part of brass sections. While these |
| I believe that fast and groovy soca music should | | | | instruments are still used in live performances, |
| continue to co-exist. I readily accept all variations of | | | | synthesizers and samplers are increasingly replacing |
| soca and put none against the other. Music is dynamic. | | | | them, particularly in studio recordings and at smaller |
| Throughout history no genre has ever stayed the | | | | concerts. Soca is very percussion and drum driven |
| same and hybrids are constantly created. | | | | and these are often very loud in a soca mix. The bass |
| In addition to power and groovy soca, other types of | | | | is also very important. Other instruments used include |
| soca music include ragga soca and chutney soca. | | | | guitars and keyboards. |
| Ragga soca is a fusion of dancehall and soca music. | | | | Leading soca-producing Caribbean islands include |
| Ragga soca performers include Trinidians, Bunji Garlin | | | | Trinidad and Tobago, St Vincent and the Grenadines, |
| and Maximus Dan. | | | | St Lucia, Grenada, Barbados and Antigua and Barbuda. |